Biography

Karen Liversedge   Glass Artist, Maker and Designer

Karen Liversedge

Specialising in design at The London College of Fashion, Karen continued to work in design and technical development in the UK and then Morocco. She built on her experience in fashion design, technical innovation and interest in Moorish art and began studying glass techniques when she moved to the West coast of Scotland in 2003.

Karen is now recognised for her glass sculptures that exhibit a sense of proportion, precision and perspective exuding expressions of freedom and permitting escape from the constraints of the familiar.

Influenced by the illusion of light and its dynamism within glass, colour, form and movement are explored.

Her artwork easily transfers into architectural pieces, sculpture and interior design, importantly the dedicated design time given to each piece prior to its making becomes the essence of that piece. Sandblast carving, verre eglomise, gilding, painting and LED illumination are all cold working techniques used in her work.

Recently her work has become more conceptually based on the emergent sense of home and associated culture, promoting a sense of being, in relation to the life cycle and its many roads and journeys taken.

"When two paths intersect, we can follow our intuition and the outcome can often trigger an impulse to embark on another journey. We can carry on or return, change the path or be drawn to a sense of place and simply stay there for a while. To use these connections as a stepping stone, we select and make choices to help us on our way.""

Karen exhibits her work in galleries and exhibitions throughout the U.K. and has work held in international private collections, with permanent works in the art collection of Strathclyde University & Broadfield House Glass Museum.

Member of The Scottish Glass Society and The Contemporary Glass Society.

 

Training

Technical Training-Glass 

2005-2006 Technical Programmes run by Stephen Richard, Verrier Studio, at the 'WASPS' Studios in Glasgow. Coldworking, Decorative Techniques. Kilnwork.
Architectural/Restoration/Installation Techniques.

Workshops 

2010 Screen Printing Workshop

2004-2007   

Verre Eglomise & Gilding with Frances Binnington.

Traditional leaded lights with Felicity Hanson.

Studying traditional design forms with master craftsmen in Marrakech.

Formal Training-Fashion 

1979-1980 London College of Fashion, 4th Year. Associate Clothing & Footwear Institute(ACFI)
Specialised in Design, subsids Marketing & Production.
1978-1979 Third Year ACFI design placement, London.
1976-1978 Teesside Polytechnic, First & Second Years, ACFI.
1975-1976 Sheffield College of Art, Foundation Year.

Employment

1980-2003 Fashion Designer, developing career  into
Technical Management in the U.K. & Morocco.



 

 

Copyright Karen Liversedge 2008-2014
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